AI Summary
5 min readTV is getting dumber
Americans have fallen back in love with going to the movies. The Odyssey is nearing a billion dollars in ticket sales. Spider-Man: Brand New Day already hit a billion. A tiny indie horror called Obsession did almost half a billion at the box office. Yet for a while, the smart money said movies were dead. Hollywood pivoted instead to make big bets on something much smaller: microdramas. Disney, Fox, Alexis O'Hanlon, Kim Kardashian, Kris Jenner—all these bold-faced names poured millions into a format that lives entirely on your phone.
What microdramas actually are
CT Jones, a staff writer at Rolling Stone who covers entertainment and culture, explains that microdramas are short episodic films shot in portrait mode, designed to be watched and shared on your cell phone as you scroll through apps. Each "microdrama" runs between 60 and 90 episodes, with individual episodes ranging from one to ten minutes. The "micro" refers to both the length and the speed of production: tiny budgets, tiny shooting schedules, tiny total runtime.
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What you'll learn
- 1 (02:24) **Introducing Micro Dramas** - CT Jones, Rolling Stone staff writer, defines the core concept of micro dramas
- 2 (03:35) **The Appeal of Micro Dramas** - Explains why viewers are drawn to this new format over traditional streaming
- 3 (05:27) **How Micro Dramas Make Money** - Details the business model behind the free-to-start, pay-to-finish structure
- 4 (07:06) **The Origin of Micro Dramas** - Traces the format back to its rise in China and its adaptation in the U.S.
- 5 (08:09) **Working Conditions in Micro Dramas** - CT Jones reports on the harsh realities for actors, especially women
- 6 (11:13) **Will Micro Dramas Change Hollywood?** - CT Jones argues they won't, because they target a different kind of attention
- 7 (17:43) **The Second Screen Problem** - Julia Alexander, Puck News media correspondent, explains the industry's core tension
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Guests on this episode
Show Notes
We revisit an episode about how our shrinking attention spans are changing TV.
This episode was produced by Kelli Wessinger, edited by Jolie Myers, fact-checked by Miles Bryan and Melissa Hirsch, engineered by Patrick Boyd and Adriene Lilly, and hosted by Noel King.
A 13-year-old boy looks at an iPhone screen in Bath, England. Photo by Matt Cardy/Getty Images.
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