The Vergecast
The Vergecast

The next big thing in movies is 60-year-old IMAX tech

August 6, 2026

AI Summary

5 min read

The vanishing projector problem

There are only 40 theaters in the entire world that can show a true 70mm IMAX film. And nobody can build another one. IMAX simply lost the blueprints. The original plans for how to manufacture those massive projectors are gone — the company didn't keep good records 50 years ago. The parts manufacturers that once built the components have either gone out of business or pivoted to other industries. The institutional knowledge of how to assemble these machines has evaporated as the industry shifted toward digital projection. So when Christopher Nolan's The Odyssey became the first film ever shot entirely on 70mm IMAX, it created a strange situation: the most talked-about movie of the year can only be seen in its full form at a handful of venues, many of which are using half-century-old projectors that have been retrofitted and maintained by sheer force of will.

What IMAX actually is

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What you'll learn

  • 1 (04:11) **What IMAX Actually Is** - Charles defines the proprietary technology bundle behind the brand
  • 2 (05:46) **Why You'd Want to See a Movie in IMAX** - The artistic and experiential appeal of the format
  • 3 (07:42) **Why 60-Year-Old IMAX Is Having a Resurgence** - The causes behind the sudden boom in popularity
  • 4 (11:21) **Why Nolan Chose the Hardest Possible Format** - The motivation behind shooting entirely in 70mm IMAX for the first time
  • 5 (15:04) **True IMAX vs. Digital IMAX (Liemax)** - The three tiers of IMAX experience and what you actually lose
  • 6 (19:57) **Why Only 40 Theaters Can Show True 70mm IMAX** - The tragic and fascinating scarcity of projectors
  • 7 (23:02) **Can They Make More IMAX Cameras?** - The limits on expanding the format

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Show Notes

Christopher Nolan's The Odyssey is the first feature film ever shot entirely with IMAX 70mm film cameras, which is apparently a very big deal, and why it's been harder than usual to get a ticket to see Matt Damon. And now that Spider-Man is moving onto IMAX screens, it may be even harder to get a ticket. Why is this 60-year-old technology suddenly the hottest thing in movies? The Verge's film and TV reporter Charles Pulliam-Moore joins senior reviewer Jennifer Pattison Tuohy to compare the standard and IMAX versions of The Odyssey and talk us through the difference between IMAX, LieMAX, and Infinity Vision.



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