AI Summary
5 min read"Should You See the 'New' Spider-Man Movie?"
Matt Walsh opens his review of Spider-Man: Brand New Day with a confession: he went to see it on opening night, wading through a theater full of adults in Spider-Man suits, not out of interest but because his wife wanted to go. After 15 years of marriage, she revealed she had been a Spider-Man fan the whole time, and Walsh—who admits he has picked roughly 98% of the movies they've watched together—felt obliged to let her choose this one. The result is a two-and-a-half-hour ordeal that he describes as "extremely terrible," even worse than his already low expectations.
A Cell Phone Commercial Disguised as a Movie
Walsh's central complaint is that Spider-Man: Brand New Day is not a film but "a series of advertisements vaguely stitched together to resemble the general shape of something that may be mistaken for a film." He reports that Sony set a record with a $309 million partner campaign, selling product placement to Samsung, Little Caesar's Pizza, BMW, PlayStation, Liquid IV, and "countless other products." The Samsung Galaxy phone gets more close-up shots than Spider-Man himself. At one point, the film cuts to a Little Caesar's delivery guy dropping off a pizza at Peter Parker's door—a scene that serves no plot purpose. Walsh finds this especially absurd because Peter Parker lives in New York City, where he could web his
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What you'll learn
- 1 (00:51) **Opening & Setup: Why Matt Walsh Saw the New Spider-Man Movie** - Walsh explains his well-known antipathy for superhero movies and the personal circumstances that led him to watch "Spider-Man: Brand New Day" on opening night.
- 2 (07:39) **Core Thesis: The Movie is an Ad, Not a Film** - Walsh declares the movie "extremely terrible" and argues it is fundamentally a series of advertisements, not a coherent piece of art.
- 3 (12:44) **Plot Summary: The Absurdity of the Central Conflict** - Walsh attempts to describe the movie's plot, which he calls a "very generous term," focusing on the villain and the nonsensical rules of her powers.
- 4 (15:03) **Mechanism: Why Marvel Movies Can't Have Character Development** - Walsh explains the structural reason for the film's repetitive and stakes-free narrative.
- 5 (17:41) **Evidence: The Deus Ex Machina of the Supercomputer** - Walsh provides evidence of lazy screenwriting by focusing on the film's over-reliance on technology to solve problems.
- 6 (19:42) **Further Evidence: The Useless Supporting Character** - Walsh dissects the inclusion of The Punisher as an example of the film's incoherent structure.
- 7 (25:31) **Conclusion & Implications: The Real Moral** - Walsh wraps up by contrasting the film's critical and audience success with its artistic bankruptcy.
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Guests on this episode
Show Notes
I watched "Spider-Man: Brand New Day", and I'm still trying to figure out what's so "new" about it.
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