AI Summary
5 min readBlacks and Jews: The Fracturing of America's Most Consequential Alliance
In 1967, James Baldwin published an essay in the New York Times Magazine titled "Negroes Are Anti-Semitic Because They're Anti-White." He opened with a memory: "When we were growing up in Harlem, our demoralizing series of landlords were Jewish, and we hated them." The grocer was a Jew, the butcher was a Jew, the pawnbroker was a Jew—and they all went home at night to clean neighborhoods black people could not enter. This was not a new complaint, but it marked a public turning point. Within a year, a black teacher in Brooklyn would read a student poem on the radio that began, "Hey, Jew Boy with that yarmulke on your head / You pale face Jew boy, I wish you were dead." The alliance that had powered the civil rights movement was coming apart, and the rupture would reshape American politics for decades.
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What you'll learn
- 1 (00:01) **Introduction to the Series** - Darrell Cooper explains this is an audio essay series originally published on his Substack, re-released due to the current political relevance of the Israel-Palestine conflict.
- 2 (03:18) **The Re-eruption of an Old Volcano** - The host frames modern Black celebrity anti-Semitism (Kanye, Kyrie, etc.) not as isolated incidents but as symptoms of a forgotten history of friction.
- 3 (05:44) **The Great Migration and Early Contact** - The historical context begins with the Great Migration, which brought millions of Southern Blacks into Northern cities where they lived alongside Jewish and other European immigrant neighborhoods.
- 4 (10:54) **The Roots of Conflict: Landlords and Shopkeepers** - The host details the structural tension that arose when Jews who owned businesses in Black neighborhoods moved to the suburbs, leading to accusations of exploitation.
- 5 (14:49) **Podhoretz's "My Negro Problem and Ours"** - The essay is explored in depth as a pivotal document of Jewish-black friction, detailing Podhoretz's childhood trauma and his controversial conclusion advocating for miscegenation.
- 6 (20:56) **The Black-Jewish Alliance at Its Height** - The narrative shifts to the strength of the alliance during the civil rights movement, highlighting disproportionate Jewish involvement and funding.
- 7 (31:01) **The Shift to Black Power and Third Worldism** - The host explains how the focus moved from legal equality in the South to "Black identity, Black pride, Black power" in the North, paving the way for a split.
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Show Notes
Hi everybody. This is the audio version of a six-part essay series called Blacks and Jews. I wrote it for my Substack a while back, so if it sounds like I’m reading instead of speaking naturally, it’s because in this case I am. I decided to release this to everyone on the main feed because, in light of the recent uproar and brewing Democratic Party civil war over the Israel-Palestine conflict, it’s suddenly become quite timely. Black and Jewish Americans were uniquely united until the late 1960s, when the civil rights movement was subsumed by a Third Worldist outlook that caused the Black Panthers and other activists to turn on the State of Israel, and then on American Jews. It precipitated a split in the so-called Black-Jewish alliance which had been the backbone of the civil rights movement during its glory years, and led to some of the worst outbursts of public antisemitism in American history. The intra-left wing conflict over the current conflict in Gaza is not a new story, and in fact is an example of scabs being torn off old wounds that had barely begun to heal. I wrote this series as I was preparing the most recent episode of Whose America, Inner City Blues, so those of you who’ve heard that will be familiar with some of the material, but there’s also a lot of material that wasn’t in that episode.
As I said, this was previously released on my Substack, so if you enjoy this kind of content maybe you’ll show a little holiday cheer and help support the podcast by becoming a subscriber for just $5 p/month or $50 p/year. This is a 100% listener-funded show, I don’t have sponsors or any other kind of funding except what you guys contribute, so your generosity is greatly appreciated.
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