Jeselnik Book Club
Jeselnik Book Club

'Brut' by Sam Tallent, With Patton Oswalt

October 14, 2026

AI Summary

5 min read

Patton Oswalt and Anthony Jeselnik open by comparing Detroit to a post-apocalyptic film set—"free sets of the apocalypse," as a cab driver once told Oswalt—before settling into the real business of the episode: Sam Tallent’s new novel Brut. Tallent’s previous book, Running the Light, is one of the few novels about stand-up comedy that both men consider authentic. Oswalt calls it a book that "doesn't shy away from the awkwardness" of life on the road, and Jeselnik has called it the best novel about stand-up he has ever read. Brut is something else entirely: a hitman novel.

What Brut is and how it works

The plot is deliberately simple. The protagonist, Bobby Beaujolais, is a former military man who worked private security for celebrities. He does his job so effectively—"John Wick shit"—that he gets caught on camera, earning the nickname "Jason Bourne" and ruining his career. The book explains why a famous bodyguard is actually a liability, a counterintuitive point that Jeselnik calls one of the novel’s strengths. Bobby becomes a contract killer, botches a job by killing an extra person (the daughter of a powerful Italian mafia figure known as the Saint of Killers), and is given an impossible task: kill the father at the daughter’s funeral, surrounded by armed mourners, or be killed himself.

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What you'll learn

  • 1 (00:05) **Book Introduction & Guest Arrival** - Anthony Jeselnik introduces Sam Tallent's new novel *Brute* and welcomes substitute guest Patton Oswalt.
  • 2 (05:21) **The Art of the Compact Story** - Oswalt argues that great books and movies don't need to be long; brevity and impact are more important.
  • 3 (06:54) **Oswalt's Reading Origins: From Poe to Comics** - Oswalt traces his literary journey from heavy literature as a child to appreciating sophisticated comic book writing.
  • 4 (10:57) **The Value of Forgetting What You Read** - Oswalt offers a practical tip for book club participants: it's okay to forget everything you read; the value is in the experience.
  • 5 (14:51) **Why *Running the Light* Was Exceptional** - Both hosts praise Sam Tallent's first novel about a struggling stand-up comic as a rare, authentic portrayal of the road.
  • 6 (16:58) **The Premise of *Brute*** - The hosts break down the novel's plot: a hitman on an impossible mission, but with a unique twist on every familiar trope.
  • 7 (19:52) **The Philosophical Hitman & The Saint of Killers** - The novel's violence is matched by deep philosophical conversations, particularly with the "Saint of Killers."

+ Full timestamped outline available in the app

Guests on this episode

Show Notes

Anthony is joined by comedian and voracious reader Patton Oswalt to talk 'Brut' by Sam Tallent, a novel about a hitman “forced to take an impossible job.” They also discuss some of Patton’s favorite books, a former boss who HATED bananas, the future of reading, novels written with movie adaptations in mind, and more.


(00:00) Open
(01:18) Introduction: Detroit, Comedians, Reading
(06:53) Chapter 1: Patton Oswalt, Reader
(14:48) Chapter 2: ‘Brut’ by Sam Tallent
(36:50) Chapter 3: Jeselnik Book Club Gauntlet
(49:39) Acknowledgments: Patton’s Gift and Small Press Publishing
(53:16) To Be Continued: Isaac Fitzgerald on His Memoir, ‘American Rambler: Walking the Trail of Johnny Appleseed’


Email me your thoughts/questions about our next book club selection, “The Trees,” by October 26 at [email protected].
Join Jeselnik Book Club: https://anthonyjeselnik.com/the-jeselnik-book-club
Tour Dates: https://anthonyjeselnik.com/tour

Save the Jeselnik Book Club audiobooks playlist: https://open.spotify.com/playlist/37i9dQZF1DXdm9jUEbwwfR?si=8c8f714014474a83

Host: Anthony Jeselnik
Guest: Patton Oswalt
Supervising Producer: Magdalena Munao
Talent Booker: Paige Garbarini
Creative Producer: Daniel Comer
Technical Director: Chris Wohlers
Set Design: Jonathan Ratliff and Gitu Mehra
Editor: Matt Pevic
Social: Keith Fujimoto
Additional Production Supervision: Jack Wilson

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