Why Leonardo was a saboteur, Gutenberg went broke, and Florence was weird – Ada Palmer
March 6, 2026
AI Summary
5 min read🎙️ The Voices & The Context
- The Format: In-depth interview with historian Ada Palmer discussing her book Inventing the Renaissance.
- The Key Players:
- Guest: Ada Palmer, Renaissance historian, sci-fi novelist (Terra Ignota series), and composer at the University of Chicago. Famous for unpacking how Renaissance book hunts sparked the scientific revolution through unexpected chains of events.
- Host: Aaron Powell (with Trevor Burrus chiming in), probing with sharp questions on history, tech parallels, and modern analogies like AI and democracy.
- The Vibe: Educational yet wildly entertaining—blending dense history with vivid anecdotes, dark humor, and "aha!" connections to printing press as the original info-revolution (like today's AI/digital age).
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What you'll learn
- 1 (00:00) **🎙️ Introduction: Ada Palmer**
- 2 (00:31) **Origins of Italian Republics**
- 3 (02:39) **Reviving Roman Virtues**
- 4 (08:05) **Medici Cultural Power Play**
- 5 (13:07) **Machiavelli's Political Science Shift**
- 6 (19:37) **Path to Scientific Revolution**
- 7 (24:10) **Unintended Historical Outcomes**
+ Full timestamped outline available in the app
Show Notes
Renaissance history is so much wilder and weirder than you would have expected. Very fun chatting with Ada Palmer (historian, novelist, and composer based at the University of Chicago).
Some especially fascinating things I learned from the conversation and her excellent book, Inventing the Renaissance:
Not only did Gutenberg go bankrupt in the 1450s (after inventing the printing press), but so did the bank that foreclosed on him, and so did his apprentices. This is because paper was still very expensive, and so you had to make this big upfront CAPEX decision to print a batch of 300 copies of a book - say the Bible. But he’s in a small landlocked German town where only priests are allowed to read the Bible - so he sells maybe 7 copies. It’s only when this technology ends up in Venice, where you can hand 10 copies to each of 30 ship captains going to 30 different cities, that it starts taking off.
Speaking of which, the printing revolution wasn’t just one single discrete event, just as the computer revolution has been this whole century of going from mainframes -> personal computers -> phones -> social media, each with different and accelerating social impact. Books came first, but they’re slow to print, and made in small batches. The real revolution is pamphlets - much faster, much harder to censor. Pamphlet runners are how you can have Luther’s 95 Theses go from Wittenberg to London in 17 days.
So much other wild stuff from this episode. For example, did you know that the largest and best-funded experimental laboratory in 17th century Europe was very likely the Roman one run by inquisitors? Ada jokes that the Inquisition accidentally invented peer review. The focus of the Inquisition is really misunderstood - it was obsessed with catching dangerous new heretics like Lutherans and Calvinists - it only executed one person for doing science.
And this leads Ada to make an observation that I think is really wise: the authorities and censors are always worried about the exact wrong things given 20/20 hindsight. When Inquisition raids an underground bookshop during the French Enlightenment, they don’t mind the Rousseau, Voltaire, and Encyclopédie, but they lose their minds about some Jansenist treatises about the technical nature of the Trinity.
More broadly, a lesson for me from this episode is that it’s just really hard to shape history in the specific way that you want to impact things. One of the most famous medieval scholars is this guy Petrarch. He survives the Black Death in the 1340s, watches his friends die to plague and bandits, and says: our leaders are selfish and terrible, we need to raise them on the Roman classics so they’ll act like Cicero. So Europe pours money into finding ancient manuscripts, building libraries, and educating princes on classical virtues. Those princes grow up a
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